The Guardian view on the humanities: the importance of being rounded
Arts subjects have lost ground to science in recent years. The decision to regroup under a new banner could help them catch up

The
acronym Stem – science, technology, engineering and mathematics – was
coined in the US in 2001. The idea of integrating and promoting skills
seen as key to turbo-charging American prosperity had been around for a
while, but as Smet, which is far less catchy. Stem quickly took root and
spread beyond the US, not least because of its power as a metaphor: it
makes the subjects sound foundational, central, while everything else is
edging. In a climate of rickety job prospects, high tuition fees and a
correlation of degrees with starting salaries, Stem subjects are equated
with employability, good incomes and stability. Nicky Morgan was not
unusual when, as the education secretary, she said: “[In the past] if
you didn’t know what you wanted to do … the arts and humanities were
what you chose because they were useful … We now know this couldn’t be
further from the truth. The subjects to keep young people’s options open
are Stem subjects.”
Last year, the number of
British students taking the three types of English A-levels dropped by
20% compared with two years before, while those studying performing and
expressive arts fell by 53%. Over the decade to 2017, the numbers studying languages at British universities fell by 35%, while the figure for those studying biology, maths and medicine rose (by 47%, 26% and 11% respectively).
Stem
is flourishing, but it is a cause for concern that other subjects on
the tree of knowledge are in less good shape. Falling numbers of English
graduates will soon coincide with a baby bulge just hitting secondary
schools, which over the next decade will need 50,000 more teachers,
especially in core subjects; the Black Lives Matter protests underscored our thoroughgoing incomprehension of our history.
But
besides such practical issues is the larger question of what a good
life is. This week, a group spearheaded by the British Academy and
including the London School of Economics and Arts Council England
offered their answer: a parallel acronym, Shape – social sciences,
humanities and the arts for people and the economy. So everything from
fine art to psychology to economics: the disciplines that help us govern
ourselves, understand how we have developed over time and argue for
doing it all better.
The argument for Shape can, if necessary, be economic: last year the arts and culture sector overtook agriculture
in terms of its contribution, at £10.8bn a year. The humanities’
supposed lack of obvious vocational pathways is in fact a strength in an
economy where flexibility and entrepreneurship are prized, while the
perception of lower employability is not borne out by facts – 88% of Shape graduates were employed in 2017 (compared with 89% for Stem).
Shape
subjects will also be central to answering the most urgent questions we
face; science, for instance, is foundational to comprehending the
climate emergency, but will not effect the political and behavioural
changes needed to achieve net zero. Nor will it necessarily predict or
mould the future. Eric Hobsbawm may have found it baffling that
“brilliant fashion designers … sometimes succeed in anticipating the
shape of things to come better than professional predictors”; the fact
remains they sometimes can. The stem of a plant is, after all, sustained
and not just decorated by its leaves.
We
should not be shy to argue for confidence and curiosity, joy and
openness as good in themselves. Along with Stem, Shape subjects have the
potential to open up the full extent of our humanity, to help shape a
well-rounded, empathetic and resilient body politic. Fighting for equal
weighting for these disciplines is not only good but also necessary.
•
This article was amended on 29 June 2020 to remove an incorrect
reference to Nicky Morgan having been the UK’s education secretary. As
education is a devolved matter, Morgan oversaw education policy for
England only.
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